Sir Mohinder Singh Dhillon
Documentary Filmmaking
Founder & CEO | Africapix Media Ltd | Nairobi (KENYA)
Ancestry & Birthplace:
Babarpur, Ludhiana, Punjab (India)
Residence:
Nairobi (KENYA)
A Life Dedicated to Save Lives
From a simple villager to a successful cameraman, he has proved ‘where there is a will there indeed is a way’.
My passport says that I was born on 25 October 1931 in Babarpur, Ludhiana, and I believe it! Back then, births were not registered; to get their children to school early, parents often exaggerated their ages. My father, Sardar Tek Singh Dhillon, our Bau ji, was the first educated person of his village, so it’s quite possible he followed the trend. Means were limited, everything came from the farms, and so Bau ji and my mother, Sardarni Kartar Kaur, our Maa, could provide us with the basic necessities. We’d have only cottons to face the harsh winters and so jogged to school to keep ourselves warm. In fact, a four-foot wall divided our sleeping hall into two, one for the cattle and the other where we slept. The buffalo milk we drank straight out of the udder is still fresh in my memory. My grandmother never allowed Maa, a simple housewife, to do the household chores – after all, she had gifted her six grandsons and two granddaughters.
My younger brother, Joginder, and I would run after kites. Kite running gave him such agility and speed that later he was chosen to represent Kenya in Hockey at the Melbourne Olympics in 1956.
Our destiny was to change when in 1918, Bau ji, at age 17, left home with some of his friends to work on the Uganda Railway in British East Africa. It would take him 29 years to reunite with all of us. Call it his foresight or sheer luck, we left India in April 1947, barely escaping the carnage of partition.
The journey to Kenya was one of firsts for me: a train journey, the thrills of a big city, Bombay, staying in a hotel and travelling on a ship, all for the first time. It was enchanting.
Bau ji had a diverse role with the Uganda Railways, including serving as station master at times. The home that he was allotted was modestly comfortable by Kenyan standards, but with running water, electricity and a toilet, it compared favourably with what we had been used to in India. Nevertheless, eight of us siblings and a set of parents still had to squeeze into two rooms, without any privacy.
In our Urdu-medium school back in India, teachers would punish us for every failure – poor grades, incomplete homework, being late, unruly behaviour and so on. It was different here; the focus was on good behaviour. However, for the lack of English knowledge, I, at age 16, was sent back to junior school, which discouraged me no end. Bau ji sensed it, and hired me a home tutor for English for the next three years, and I started enjoying sports in the meanwhile. Gurdev, my elder brother, worked in the Railways, Joginder became a doctor, and lo I was finding it tough to get a job, since I never completed school.
However, Dad gifted me a second-hand Box Brownie camera, which soon became my treasure! I clicked pictures at Hockey matches, processing them in small soap dishes from the kitchen. I then took a leap of faith and applied for an unrelated job through a classified ad. As soon as I entered the office, I knew I had lost the offer because the owner, Edith Haller, told me she wanted a qualified bookkeeper. However, she also owned a photographic business – Halle Studio. Whether it was my lop-sided turban, broken English or the passion in my voice, I don’t know, but I got a job. There’s been no looking back ever since. I bought out the studio from my employer in 1954. What happened next is a strange turn of events that inspired my vision to what I’d call my ‘illustrative’ career.
But it didn’t happen by fluke. In 1958, Bau ji shocked me with the news of my engagement, but it turned out to be made in heaven. Amarjeet ‘Ambi’ Kaur Sandhu and I took chances at what we really wanted for ourselves. Ambi was born and brought up in Kenya and had failed her O-levels! As a 1954 Kenya National Table Tennis Championship holder, I was elated to find that she too had played high school-level Table Tennis. Together, we aimed high at what we wished for. Straight after our marriage in 1958, she started to take over Halle Studio, clicking passport and ID pictures for British soldiers, many of whom were there to suppress the Mau Mau uprising.
Africa captured my heart
The whole of East Africa was now my playground. By now, Bau ji had gained such prominence in society that it became my utmost resolution to follow his path of honesty, diligence and hard work. In the 1960s, I graduated to filming. I made a trilogy of films, Mau Mau, White Man’s Country and Kenyatta, which remain the most historic representation of those times. Africa was rising in the 1960s and people like Ivor Davis, who was working for East African Standard newspaper, and I were busy documenting its every move. In 1961, we started our company, Africapix Media Ltd, later opening a branch in London, and covered the political transitions of Africa, which included the pre-independence build-up and liberation wars of countries like Kenya, Tanzania, Uganda, Zambia, Zimbabwe and Mozambique. This was also the time when racial discrimination was at its worst, which I often experienced first-hand, especially when Ivor, who was British, was not with me. There was an air of liberation after Independence, and I got a chance to make the award-winning film African Runners, featuring the leading African athletes. The highlands runners of Kenya and Ethiopia put their countries on the world map of athletics. I sweated blood to make these films to encourage our heroes.
When in the early 1980s, a production company couldn’t find a camera team who would want to risk their necks to shoot the film Khomeini’s Other War, I and my younger brother, Balbir, took it up because our Sikh values told us neither to submit to cruelty nor watch it being inflicted.
Later, as I was travelling through famine-struck Africa, the sight of the severely malnourished children in Uganda started haunting me, and I decided to use my camera for a greater cause. The images that followed helped me raise USD 7 million for the victims, earning me the nickname “Seven-million-dollar Cameraman”. In 1984, I covered a widespread famine in Ethiopia, when the media continuously screened my pictures. It became a global concern; people were moved, they pledged money and more than USD 100 million were raised.
Prince Philip knighted me by the order of St Mary of Zion in 2005 for all my efforts. I was even more humbled when Harry Belafonte, an actor, singer and activist, told President Nyerere that it was my images that stirred his conscience, and took him to the affected areas. Later, Mother Teresa blessed my family, and my film, African Calvary. She said, “My son, God has specially chosen you to shoot this documentary.
Sikhism makes me so!
Richard Vaughan, a former documentary director at the BBC and also my biographer, wrote in My Camera, My Life, “For almost fifty years, Mohinder Singh Dhillon was at the heart of the international news-gathering machine. As a photographer and cameraman, he has covered numerous conflicts in Africa, Britain’s last stand at Aden, wars in Afghanistan and Iran, and many other events that had repercussions around the world. His lenses have recorded the struggle for Independence in Africa, including liberation wars in Kenya, Zimbabwe and Mozambique. With world-renowned journalists, he has filmed dozens of Heads of State across the African continent, including Jomo Kenyatta, Julius Nyerere, Idi Amin, Haile Selassie and Robert Mugabe”.
He continues later, “Mohinder was one of the profession’s most sought-after cameramen. He became renowned for his extraordinary courage, courting danger to get the story when many of his colleagues would have stayed locked in their hotel rooms… He also kept company with world-famous entertainers, Charlie Chaplin, Harry Belafonte and Cliff Richard among them.
“Several times he came within a whisker of death. He once fell out of a helicopter at 8,000 feet above the slopes of Kilimanjaro – it was only the dense foliage that saved him from instant death. While covering the conflict in Aden, he was caught up in so much crossfire that the British soldiers there nicknamed him ‘Death Wish Dhillon’. Most notoriously, he came within a few minutes of summary execution in the Congo before an international camera crew passing by identified him as one of their own and persuaded his captors to let him go.”
My last documentary was, Vaughan writes, “a deeply moving film about the impact of international terrorism on ordinary people…” which received a Prix Italia nomination for the best documentary in the world in 1998. Another of my books, Witness to History, is to be released early in 2020.
Now retired from journalism, I feel this country loves me as one of their own. The people here have done everything to make me feel comfortable! I continue to help sufferers by giving away whatever I earn through my newfound love of painting and philanthropy. My dad and Ambi have been my inspiration. I remember she once scolded me for buying a small gift that I bought her after the famine, suggesting it would have been better to help the needy with the cost! My son, Sam, is aggressively taking Africapix forward now, my siblings visit me every year and my house helps, Peter and Michael, do everything to keep me comfortable.
I always have had in my mind a quote from Guru Granth Sahib, which makes me uphold the virtue of humility and condemn the evil of arrogance.
Philosophy
Like Dad said, “Living for yourself is not living; you have really lived if you live for others”.
I love…
My camera, Africa and the people here.
I’d suggest the youth…
Dad joked, “Lions are kings. They decide whether to lay eggs or give birth to cubs.” Be the king and fearlessly stand for righteousness.
Success Mantra
My success is only when I excel in whatever I do, and help people.
The world doesn’t know that…
Back in my village, I was an ace cock-fighter. My white cockerel, Raja, with all my tactics and the diet I gave him, rarely lost a match and I was really proud of him. Looking back now, I realise how traumatic it might have been for those poor fight birds.
AKA
Founder & CEO, Africapix Media Ltd | Media entrepreneur Mohinder Singh Dhillon
Gallery
ISBN : 9788193397695
